ArtSpam Favourites: April 2025
This month has been a mixed bag, in a good way. There is always a lot to see in London. Always. I just had the misfortune of going to a lot of these shows on the days when the galleries were closed, haha! I completely forgot that it was easter this month, and I also forgot that most galleries are closed on Mondays. Bit of a schoolgirl error that. That being said, I still managed to see some fantastic exhibitions - and the ones I missed, we’ll have to wait until May. So, without much further ado, here is the fab work for April:
- Weiblicher Ruckenakt (Female Nude, Back View), 1917, Egon Schiele from the exhibition ‘Egon Schiele: Portraits on Paper’ at the Omer Tiroche Gallery, London. 
- Color Flows 4, 2012, Fabienne Verdier, from the exhibition ‘The Shape of Colour’ at Waddington Custot, London. 
- Dragon, 1979, Niki de Saint Phalle, from the exhibition ‘Inner Child’ at the Opera Gallery, London. 
- Femme et Oiseau IV/X, Joan Miro, from the exhibition Painting in the Round at Nahmad Projects, London 
- Ernest Thiel, 1907, Edvard Munch, from the exhibition ‘Edvard Munch Portraits’ at the National Portrait Gallery, London. 
- Lift Going Up, Life Going Down, 2019, David Annesley, from the exhibition ‘The Shape of Colour’ at Waddington Custot, London. 
- Last Night I had a Dream, 1968, Niki de Saint Phalle, from the exhibition ‘Inner Child’ at the Opera Gallery, London. 
- Infinity Dots, 2003, Yayoi Kusama, from the exhibition ‘Inner Child’ at the Opera Gallery, London. 
- Self Portrait with Skeleton Arm, 1895, Edvard Munch, from the exhibition ‘Edvard Munch Portraits’ at the National Portrait Gallery, London. 
- Lunar Bliss, 1975, Prafulla Mohanti, from the exhibition ‘Prafulla Mohanti ANANDA’ at Pilar Corrias, London. 
 
                         
              
              
              
             
              
              
              
             
              
              
              
             
              
              
              
             
              
              
              
             
              
              
              
             
              
              
              
             
              
              
              
             
              
              
              
            